Black March: Marielle Franco, Carolina Maria de Jesus and Abdias Nascimento | CULTNE | Partner Channels

Canal Preto 00:07:55

EP14 - Black July - Lélia Gonzales

Black July - Lélia Gonzales

Lélia Gonzalez (1935-1994) is from Minas Gerais (Belo Horizonte) born on 2/1/1935 who always emphasized her mother's indigenous origin and her father's black origin, who died, however, when she was still a child. Being herself a result of Brazil, Gonzalez would publish in 1988 "The political-cultural concept of Amefricanity", an article in which she would discuss the historical-political-cultural formation of the country, say, indigenous and Afrodiasporic, and on the denial (Freud) of the Ladino-Amefricanity of Brazil by Brazilian-style social thought. Like her political activity and militancy in the national and international black and women's movements, Lelian's academic production is as prolific as it is intense and in-depth. Whether in the debate about the necessary blackening of feminisms or in understanding the role of black women and men in Brazilian and global capitalism, the pioneering nature of her work, despite several published works and peer recognition, had the public memory erased. Research sources: UOL, Brasil de Fato, Geledés, Mulheres de Luta, eusemfronteiras, Fenajufe, iBahia, ACKNOWLEDGMENT: Canal Preto would like to thank the guests for their availability, support, trust and sharing of knowledge. Their speeches are the main reference used in and for the construction of all content published throughout the week. Raquel Barreto - Historian and researcher specializing in the work of authors Angela Y. Davis (1944) and Lélia Gonzalez (1935-1994). Co-curator of the independent publication project of the books by Lélia González and Beatriz Nascimento (1942-1995) produced by the Union of Pan-Africanist Collectives (UCPA) and of the exhibition "Carolina Maria de Jesus: a Brazil for Brazilians" (Instituto Moreira Salles). Elizabeth Viana - Sociologist with a specialization in Urban Sociology from the State University of Rio de Janeiro (Uerj) and a master's degree in Comparative History from the Federal University of Rio de Janeiro (UFRJ). Melina de Lima - Historian and granddaughter of Lélia Gonzalez (1935-1994). Co-author of the Project Lélia Gonzalez Vive. Director of Education and Culture at the Lélia Gonzalez Memorial Institute. Racism. Either you fight, or you take part. Which one are you?

Canal Preto 00:07:43

EP13 - Neusa Santos Souza and "Tornar-se Negro" as a possibility of cure

Neusa Santos Souza and "Tornar-se Negro" as a possibility of cure

Neusa Santos Souza (1948-2008) is a pioneer in the conjunction of psychoanalysis and anti-racism militancy to the construction of knowledge in mental health in the academic field and is the author of a fundamental thesis on the psychic effects of racial violence and its material impacts among black subjectivities. Writer in newspapers and magazines, such as Correio da Baixada (aimed at the population of Baixada Fluminense), in 1983, S. Souza published in a book his master's thesis submitted to the graduate program in Psychiatry at UFRJ, under the title "Tornar-se negro: ou as vicissitudes of the identity of black Brazilians on social ascension" (Graal Editora), in which he discussed, from the clinic itself, the materiality of racism on black lives. The work contains Santos Souza's reflections on the emotional cost of denying black African identity and culture in black diasporic bodies and psyches. In turn, according to the psychoanalyst and psychiatrist, awareness of the white socio-political, economic and subjective-emotional pattern of Brazilian society would be a key condition for overcoming socio-racial inequalities. Research sources: eusemfronteiras, Revista Caju, Revista Galileu, Federal Senate, Companhia das Letras, G1 and Blog da Boitempo. ACKNOWLEDGMENT: Canal Preto would like to thank the guests for their availability, support, trust and sharing of knowledge. Their speeches are the main reference used in and for the construction of all content published throughout the week. Beatriz Andrade - Clinical psychologist with a postgraduate degree in Human Rights, Social Responsibility and Global Citizenship from the Pontifical Catholic University of Rio Grande do Sul (PUC-RS). Specialist in Diversity in Organizations from the Pontifical Catholic University of São Paulo (PUC-SP). Graduate student in Psychology and Child Development. Researcher of ethnic-racial relations. Taiane Lima - Professional makeup artist and hair stylist. #ParaTodoMundoVer: in the video (in medium shot), we see the following guests, in this order of appearance: Beatriz Andrade, a black woman with dark skin and hair in short braids over her shoulders, wears orange and brown square-framed glasses, red lipstick on her lips and a black blouse; and Taiane Lima, a black woman with dark skin and long blonde braids, wears a scarf with an animal print over her head and a sleeveless blouse with a high collar in white. Racism. Either you fight, or you take part. Which one are you?

Canal Preto 00:07:53

EP12 - Denial of Black Intellectualities in Science: Racism and Legacy

Denial of Black Intellectualities in Science: Racism and Legacy

While the constructively "rational" and therefore "objective" character of the method of observation, identification, research and explanation (via hypotheses) for the synthesis of certain knowledge about natural phenomena would imbue the related sciences, now, having become "free" of political-religious proselytism, of "neutrality", the professionalization of the field and associated careers still in the 19th century attributed a veneer of "authority", and almost incontestability, to hierarchization, to the socio-racial classification and consequent exclusion/marginalization historically prevailing in societies of the period (and still today). The black intellectual experience and the construction of careers in this field of knowledge production are, today, topics of academic scrutiny among different branches of knowledge, with emphasis on the disciplines of history and sociology. If the challenge of popularizing such trajectories posed there still persists, the task of overcoming invisibility and erasing the black existences and epistemes in the so-called Exact, Technological and Natural Sciences is given. Research sources: Ciência Hoje, Folha de S.Paulo, Serrapilheira Institute, Unipampa, Sumaúma Institute and ResistEnem. ACKNOWLEDGMENT: Canal Preto would like to thank the guest for their availability, support, trust and sharing of knowledge. Their speeches are the main reference used in and for the construction of all content published throughout the week. Alan Alves Brito - Astrophysicist graduated in Physics from the State University of Feira de Santana (UEFS/BA), with a master's and doctorate in Science from the University of São Paulo (USP). Adjunct professor at the Institute of Physics at the Federal University of Rio Grande do Sul (UFRGS), develops activities in Teaching, Research, Extension, Dissemination in Science and Management and is part of the Graduate Programs in Physics and Physics Teaching at UFRGS, in addition to the Science Dissemination Program at the Oswaldo Cruz Foundation (FIOCRUZ). Coordinator of the Center for African, Afro-Brazilian and Indigenous Studies (Neabi) at UFRGS. Creator and coordinator of the "Zumbi-Dandara dos Palmares" and "Akotirene Kilombo Ciência" projects, both aimed at promoting racial equity in basic education. Finalist of Jabuti 2020 in the Science Essay category and recipient of the José Reis Science Dissemination Award 2022 from the National Council for Scientific and Technological Development (CNPq) in the Researcher and Writer category. Thiane Neves Barros - Researcher and participant observer of Communication in the Amazon. PhD student in Communication at the Federal University of Bahia (UFBA), with research on technological appropriations and internet infrastructure in the state of Pará (PA). She acts in the fight against racism and cissexism, works with digital care and collaborates with collectives and organizations of the black movement and the feminist movement.

Canal Preto 00:07:31

EP11 - Black Beauty, Market, Influence, Marketing and Change

Canal Preto 00:08:02

EP10 - ORIXALIDADE

ORIXALIDADE

In this episode, we discuss the importance of valuing African and Afro-Brazilian know-how, unequivocal demonstrations of the cultural and historical materialization of the Orixás and their role among African/Afrodiasporic societies. Such an approach offers practical tools to advance the decolonization of the social imaginary about Yoruba orixalized cultures in Brazilian society and to rescue the ancestral legacy and perceptions of the world centered on the cosmologies of black people in Africa and in the diaspora, as well as opening up space for broader cultural-political dialogues Africa-Brazil-diaspora — a key condition for the creation and production of plural world knowledge. Research sources: Mundo Negro, Geledés via Carta Capital, Brasilidade Negra and Acervo para Subjects Jurídicos (planalto.gov.br). ACKNOWLEDGMENT: Canal Preto thanks the guests and the guest for their availability, support, trust and sharing of knowledge. Their speeches are the main reference used in and for the construction of all content published throughout the week. Carolina Rocha (Dandara Suburbana) - Black woman, from Xangô, writer, activist and historian. PhD in Sociology from the Institute of Social and Political Studies of the State University of Rio de Janeiro (Iesp/Uerj). Master in Social History from the Fluminense Federal University (UFF) and author of the book "O sabá do Sertão: sorceresses, demons and Jesuits in colonial Piauí (1750-1758)" (Paco Editorial, 2016). Founder of Ataré Palavra Terapia, a community that encourages creative, political and therapeutic writing, focusing on black women's literature. Iyá Adriana de Nanã - Founding iyalorixá and priestess of Ilê Axé Omó Nanã. Human rights activist and for facing religious racism. Articulator and social educator. Member of the Jeholu Cultural Occupation Political Council. Creator and co-coordinator of the Project "Cabaça: cultures of African matrix and solidary economy" at the Federal University of São Paulo (UNIFESP). Co-author of the book "Lula and spirituality: prayer, meditation and militancy" (Kotter Editorial, 2019). Director of the Institute of Studies and Research Ilê Axé Omó Nanã. Felipe Brito - Baba ?gb? do Ilê Ode Maroketu À?? ?ba. Founder and General Director of Ocupação Cultural Jeholu, a cultural, political and anti-racist movement organized from the traditions of African matrices. Journalist, doctoral student in the Graduate Program in Humanities, Rights and Other Legitimacies at Diversitas/University of São Paulo (USP) and Master in Public Policy from the University of Mogi das Cruzes (UMC). General coordinator and screenwriter of the documentary webseries "?nití Lànà, the one who opens the way", about the trajectory of the black militant Rafael Pinto (Osvaldo Rafael Pinto Filho, 1949). Pâmela Cezário - Artistic articulator, activist and manager of diversity and inclusion. Graduated in Human Resources (HR) from Estácio de Sá University, with an MBA in Business Management with Social and Socio-environmental Impact. Volunteer in the social project Instituto Cultural A Arte Salva. Founding partner of Flor do Tempo, a retail brand of plant care products and practices for technical purposes. Racism. Either you fight, or you take part. Which one are you?

Canal Preto 00:07:50

EP9 - Sports and the Fight Against Racism

Sports and the Fight Against Racism

Football is massively inserted in the daily lives of Brazilian men and women across the country. Given the equally massive prominence of news related to the modality, as well as its consequent influence, it is plausible to believe in the extreme relevance that sport, in fact, that this and other sports assume (or should assume) as a strategic tool to combat anti-black racism and other forms of intolerance. It is fundamental that clubs and other sports entities take up anti-racism awareness campaigns and endorse the need for transformations on and off the field, on the courts and even in other arenas, in addition to the (desirable) non-violent character of each of the most distinct existing categories. However, the effectiveness of such required actions cannot depend solely on institutional messages and lonely notes of repudiation. Research sources: Editora Nota Ten, Lei em Campo, Every Day Olympics, Poder360, Midiamax, UOL, Uninter and Mídia Ninja. ACKNOWLEDGMENT: Canal Preto thanks the guests and the guest for their availability, support, trust and sharing of knowledge. Their speeches are the main reference used in and for the construction of all content published throughout the week. Amauri Mendes Pereira - Professor at the Department of Teaching Theory and Planning at the Institute of Education at the Federal Rural University of Rio de Janeiro (DTPE-IE-UFRRJ). PhD in Social Sciences from the State University of Rio de Janeiro (Uerj) and specialist in African History from the Center for Afro-Asian Studies (CEAA) at the Cândido Mendes University (UCAM). Ana Beatriz di Rienzo Bulcão (Bia Bulcão) - Fencer and Olympic female foil athlete. Rayssa Okoro - Physician and amateur athlete. Racism. Either you fight, or you take part. Which one are you? #Esporte #RacismoNoEsporte #LutaContraORacismo #canalpreto #ParaTodoMundoVer: in the video, we see the following guests and the following guest, in this order of appearance: Amauri Mendes Pereira, a black man with light skin and a beard along the length of his gray face, wears almond-shaped glasses and a light beige short-sleeved blouse with vertical stripes in graphite, light blue and orange; Ana Beatriz di Rienzo Bulcão (Bia Bulcão), a black woman with fair skin and curly hair cut short above her shoulders, wears a white T-shirt topped by a navy blue sweatshirt; and Rayssa Okoro, a black woman with jet-black skin and her hair held back by an orange turban, wears round-framed glasses and a black long-sleeved blouse with a front cutout, also in black.

Canal Preto 00:07:59

EP8 - Black Architectures - From Kemet to Inclusive Cities - VO2

Black Architectures - From Kemet to Inclusive Cities - VO2

African architecture, continental or diasporic, must be recognized in its grandeur and importance, even under repeated attempts to erase it. Architectural and engineering Afrotechnologies, for example, in Egypt, historically coexist with the denial of their own right to existence, despite the proven development of complex structural systems in 4,000 years of resistance from the Kemetic pyramids (Ancient Egypt) to the present day. In view of the ancestral action of black people as creators of these tools, it is necessary to create and expand access and permanence policies for the black population between higher education/university, the labor market and institutions. Research sources: Notícia Preta, O Globo, Rio que Passou, Revista Galileu, Mundo Negro and Eurocid. ACKNOWLEDGMENT: Canal Preto thanks the guests and the guest for their availability, support, trust and sharing of knowledge. Their speeches are the main reference used in and for the construction of all content published throughout the week. Bárbara Oliveira - Urbanist architect graduated from the Federal University of Pernambuco (UFPE). University professor in the Architecture and Urbanism course of the Metropolitan Union of Education and Culture (UNIME) - Anhanguera (Salvador). Master in Architecture and Urbanism (conservation and restoration) by the Graduate Program in Architecture and Urbanism (PPG-AU) at the Federal University of Bahia (UFBA). CAPES Scholarship by the Science without Borders Program (CsF Italy, 2014/2015 - Università Degli Studi Roma Tre). Agilist at Lab Plural (K21). She works as an architect in Civil Construction and within the field of cultural heritage. Lucas (Luke) Medeiros - Graduating in Architecture and Urbanism at the Federal University of Paraná (UFPR) and researcher in the area of Afro-Brazilian, African and Afrofuturist architecture. Member of the Afro block Pretinhosidade, a pioneer Afro block in the capital of Paraná. Daniele Ignácio - Graduated in Architecture and Urbanism from Estácio de Sá University, with a specialization in Planning and Management of Civil Works from the Polytechnic School of the Federal University of Rio de Janeiro (UFRJ) and an MBA in Management of Works and Enterprises from the Brazilian Institute of Cost Engineering (IBEC). #ParaTodoMundoVer: in the video, we see the following guests and the following guest, in this order of appearance: Bárbara Oliveira, a black woman with light skin and long curly hair, wears small hoop earrings and a white blouse with short sleeves printed with graphic motifs in black; Lucas (Luke) Medeiros, a black man with light skin and a full-length beard, wears a yellow cap, a white T-shirt and a bag with a black cross-over strap; and Daniele Ignácio, a black woman with jet-black skin and short curly hair styled on the side, wears earrings with golden pendants and a long-sleeved terracotta blouse. Racism. Either you fight, or you take part. Which one are you?

Canal Preto 00:08:10

EP7 - Blackness and Womanhood in Exact and Technological Sciences

Blackness and Womanhood in Exact and Technological Sciences

In the labor market, race and gender equity is still a long way off. The search for a different scenario must, however, be continuous and involve the whole of society in this same (socio)cultural change. The presence of black women in the Technology and Innovation sector has been breaking paradigms, despite the fact that it occurs in a professional field still dominated by men and white people. Despite, therefore, their increasingly noticeable presence/to be noticed in the near future, women, in particular, black women, still constitute a minority in this area, not only little affected by female qualification/training, but also by the blackening of their staff as a condition for entry, performance, permanence and career building. Research sources: Sputnik Brasil, Agência Jovem, Minas Programam and Ilha do Conhecimento. ACKNOWLEDGMENT: Canal Preto would like to thank the guests for their availability, support, trust and sharing of knowledge. Their speeches are the main reference used in and for the construction of all content published throughout the week. Anna Maria Canavarro Benite (Anita Canavarro) - Professor at the Chemistry Institute of the Federal University of Goiás (IQ - UFG). Coordinator of the Laboratory for Research in Chemical Education and Inclusion (LPEQI) and of Coletivo Ciata - Study Group on the Decolonization of the Science Curriculum. Nina Silva - CEO of D'Black Bank and the Black Money Movement. Maria Rita Casagrande - Full Stack Developer and specialist in digital products, web analytics and growth hacking. Publisher, content curator and technology business and innovation consultant. Taís Oliveira - Founder and executive director of the Sumaúma Institute, a training, research and advisory center focused on developing academic careers for black, indigenous and/or peripheral people. Postgraduate professor in the disciplines of Creation and Production of Digital Content (Digital Influence, Entertainment and Career course), Metrics and Evaluation for Social Media (Cultural Production course) and Metrics and Results Monitoring (Digital Design and New Media course) at Centro Universitário Belas Artes de São Paulo. PhD student in Human and Social Sciences at the Federal University of ABC (UFABC). #ParaTodoMundoVer: in the video, we see the following guests, in this order of appearance: Anna Maria Canavarro Benite (Anita Canavarro), a black woman with light skin and short red curly hair, wears lipstick and a maxi necklace with red beads, in addition to a white short-sleeved blouse; Nina Silva, a black woman with jet-black skin and long braided hair, wears a maxi earrings with gold and silver pendants on her right ear and an oversized jacket in gold; Maria Rita Casagrande, a black woman with dark skin and a bald head, wears a black long-sleeved blouse with a pink collar; and Taís Oliveira, a black woman with fair skin and curly hair cut short over her shoulders, wears black round-framed glasses and a yellow T-shirt topped by a blue cardigan. Racism. Either you fight, or you take part. Which one are you?

Canal Preto 00:07:46

EP6 - Black Abolitionist Movements: The May That Never Ended

Black Abolitionist Movements: The May That Never Ended

The history of the formation of Brazil is linked to the history of indigenous and black-African enslavement in the Americas, an action chosen to maximize the profits of the European invaders in global trade networks and a way of "salvation" to the Gentiles, or rather, of their domination among the sixteenth-century colonial enterprise, the same as the Iberian Christian "reconquista". Always contested by groups directly affected, and genocidated, by overexploitation, when not, equally, by territorial expropriation, slavery would last in the colony and in the independent country (1822-5) until 1888, when it was finally abolished after the domestic pressure of centuries of popular struggles and political-intellectual contestation to the economic regime and international pressure for the reconfiguration of the capitalist order. The articulation and adherence of part of the white political and literate elite to abolitionism colored the 1860s/70s in Brazil, once institutionalizing the defense of abolition among different groups in Brazilian society. Its organization in guilds, clubs, newspapers, associations, conferences and debates, in addition to the distribution of pamphlets and the publication of books, articles and petitions in favor of the legal freedom of the enslaved subject, are the inflection of practices and struggles already waged for centuries in the country by black and indigenous hands, whether in the same clubs, newspapers, associations and brotherhoods, as earnings or in the original confederations. Research sources: Toda Matéria, Palmares Foundation, UOL and Geledés. ACKNOWLEDGMENT: Canal Preto would like to thank the guest and guests for their availability, support, trust and sharing of knowledge. Their speeches are the main reference used in and for the construction of all content published throughout the week. Ynaê Lopes dos Santos - Professor of History at the Fluminense Federal University (UFF). Columnist DW Brazil. Author of the volumes "Brazilian racism. A history of the formation of the country" (However, 2022) and "History of Africa and Afro-descendant Brazil" (Pallas, 2017). Flávio Gomes - Associate Professor of History of Brazil at the Federal University of Rio de Janeiro (UFRJ) and researcher at the National Council for Scientific and Technological Development (CNPq). João Marcos Bigon - Professor, master specialist in Ethnic-Racial Relations, writer, consultant and analyst in Education and Racial Literacy. Racism. Either you fight, or you take part. Which one are you? #CanalPreto #MovimentosAbolicionistas #RacismoEuCombato #ParaTodoMundoVer: in the video, we see the following guest and the following guests, in this order of appearance: Ynaê Lopes dos Santos, a black woman with light skin and short curly hair, wears silver pendant earrings, a necklace with red beads, a black blouse and a cardigan; Flávio Gomes, a light-skinned black man, has his curly gray hair covered by a stylized beret in a checkered black and white print and wears a pastel-colored T-shirt; and João Marcos Bigon, a light-skinned black man, with dreadlocked hair and a beard, wears small silver hoop earrings and a black T-shirt.

Canal Preto 00:08:09

EP5 - Urban Peripheries - Broken Colors and Afrodiasporic Territories

Urban Peripheries - Broken Colors and Afrodiasporic Territories

The relations between periphery and center show the existence of abyssal lines that divide social reality into at least two distinct universes, riddled or not with contradictions. Therefore, it is necessary to understand the peripheries as destabilizing pseudo-scientific racist stereotypes about their social degeneration and about their (manufactured) absences/almost insurmountable ills. Research sources: Portal Terra, Jornal da USP, Favela is that there, Àwúre, UOL and Le Monde Diplomatique Brasil. ACKNOWLEDGMENT Canal Preto thanks the guests and the guest for their availability, support, trust and sharing of knowledge. Their speeches are the main reference used in and for the construction of all the content published throughout the week. Mayana Vieira - Graduated in Literature and specialist in Human Rights Education. Poet, sapatão and from Grajaú, extreme south of the city of São Paulo. Educator in the area of Languages, Projects and Human Rights. Author of the books "Des'águar: 24 poems for 24 years" (Independente, 2021) and "Motumbá" (Sarau das Mina, 2017), as well as texts published in the anthologies "Sarau das Mina", "Slam do Grajaú" (2019) and "Before I forget: 50 lesbian and bisexual authors today" (Quintal Edições, 2021). Member of the collectives Slam do Grajaú and Ohun. Giselle Gomes (Nega Gizza) - Communicator, rapper, cultural producer, social activist, announcer and presenter of TV and events. Cleyton Mendes - Writer, poet, slammer and cultural organizer. Racism. Either you fight, or you take part. Which one are you? #UrbanPeriphery #Afrodiasporic #BlackCanal #ParaTodoMundoVer: in the video, we see the following guests and the following guest, in this order of appearance: Mayana Vieira, a black woman with light skin and hair with small and short braids, wears red lipstick, maxi earrings with pendants in double circular and concentric brown structures and a white sweatshirt; Giselle Gomes (Nega Gizza), a black woman with jet-black skin and wavy brown hair, wears silver hoop earrings and a yellow blouse with short sleeves over her shoulders with small ruffles at the ends; and Cleyton Mendes, a dark-skinned black man, with dreadlocked hair, a full-length beard and mustache, wears a blue T-shirt topped by a blue jacket with African motifs and a maxi necklace.

Canal Preto 00:07:51

EP4 - Black Music: Ancestry, Market and Continuity

Black Music: Ancestry, Market and Continuity

Talking about black political and cultural history in the West is also talking about music and musicalities. Music is an aesthetic and political power understood as a "suleador" principle (Marcio D'Olne Campos; Paulo Freire) of the lives of people of African descent and of the identity discursive productions of these black people in forced diaspora and under extreme violence, outside and even inside the original continent. Research sources: UOL, Itaú Cultural, UFRGS, Mundo Negro Site and Transfusion Cultural. ACKNOWLEDGMENT Canal Preto would like to thank the guest and guests for their availability, support, trust and sharing of knowledge. Their speeches are the main reference used in and for the construction of all content published throughout the week. Pedro Amparo - Latin Grammy-nominated producer and musical director. João Loroza - Musician and cultural organizer from Rio de Janeiro. Jonathan Ferr - Urban jazz pianist. Mariana Per - Singer and storyteller. Nelson Rufino - Singer and composer. Lica Oliveira - Actress, journalist, businesswoman, announcer, presenter and Olympic athlete. Racism. Either you fight, or you take part. Which one are you? #CanalPreto #Musicalidades #MúsicaNegra #Ancestralidade #ParaTodoMundoVer: in the video, we see the following guest and the following guests, in this order of appearance: Pedro Amparo, a light-skinned black man with a full-length beard, wears a dark green cap and an orange short-sleeved blouse; João Loroza, a black man with light skin and long hair with dreadlocks in a pinned hairstyle, wears a silver necklace and a white short-sleeved blouse with black stripes; Jonathan Ferr, a black man with jet-black skin and dreadlocked hair tied up in a bun above his head, wears piercings in his septum and over his left nostril, silver hoop earrings, a brown beaded bracelet and a ring on the index finger of his right hand, a white shirt topped by a jacket with a beige front zipper closure and black pants with white stripes; Mariana Per, a black woman with jet-black skin and short curly hair, wears red crochet maxi earrings and a colorful yellow shirt printed with different motifs; and Nelson Rufino, a black man with dark skin, gray hair and beard, wears a white shirt with 3/4 sleeves with a blue floral print and beige pants.

Canal Preto 00:08:10

EP3 - Black Entrepreneurship: Fostering Small Businesses and Perspectives for Black Financial Autonomy

Black Entrepreneurship: Fostering Small Businesses and Perspectives for Black Financial Autonomy

In a scenario where the black population, which is the majority in the country in absolute terms and also the majority among the poorest and most disadvantaged, entrepreneurship represents a chance to change not only the lives of individuals, even as a resource in case of need, but also an entire social structure, by circulating capital and wealth between the consumer public and the black micro-business. Research sources: Estadão, Mundo Negro, Guia Negro and Social Good Brasil. ACKNOWLEDGMENT: Canal Preto thanks the guests and the guest for their availability, support, trust and sharing of knowledge. Their speeches are the main reference used in and for the construction of all content published throughout the week. Adriana Barbosa - Social Entrepreneur. Founder of Feira Preta and CEO of Plataforma PretaHub (hub of creativity, inventiveness and black trends). LinkedIn Top Voice and specialist in Creative Economy. Marcelo (Billi) - Designer specialized in patchwork (work technique with cutting of different fabrics) and CEO of ROSANOPRETO. Sarah Santana - Executive producer at ASS Produções (executive, artistic and audiovisual productions). Content creator and contributor to the Sopa Cultural news portal. Ana Caroline da Silva - Co-founder and cultural producer of Cia. Caruru. Co-founder and cultural manager of Terça Afro. Amanda de Jesus - Co-founder, producer and artist of Cia. Caruru. Territory articulator and producer of Terça Afro. Racism. Either you fight, or you take part. Which one are you? #CanalPreto #EmpreendedorismoNegro #AutonomiaFinanceira #Negócios #ParaTodoMundoVer: in the video, we see the following guests and the following guest, in this order of appearance: Adriana Barbosa, black woman with dark skin and short curly hair in a side hairstyle, wears a necklace with whelk appliqués and a black strapless blouse; Marcelo (Billi), a black man with jet-black skin, short curly hair and a mustache-like beard, wears small hoop earrings, an off-white shirt with a fringe collar and front cutout in brown and a tie with a polka dot print in brown and white; Sarah Santana, a black woman with jet-black skin and long curly hair with one of her red highlights, wears round-framed glasses, a gold-colored bracelet and necklace, and a red 3/4-sleeved shirt; Ana Caroline da Silva, a black woman with jet-black skin and hair braided into a bun, wears square-framed glasses, a golden necklace and a long-sleeved orange V-neck blouse; and Amanda de Jesus, a black woman with jet-black skin and nagô braided hair, wears an off-white shirt with a floral print.

Canal Preto 00:07:58

EP2 - Democratization and Anti-Racist Teaching for an Awareness of Black Identity at School

Democratization and Anti-Racist Teaching for an Awareness of Black Identity at School

Law 10.639/03 makes the teaching of Afro-Brazilian and African history and culture mandatory in the cycle of basic education throughout the country. In a racist country, it is not enough to want a democratic and quality education so that black people have the right to remain in school, from literacy to higher education, with dignity and that non-black people learn, finally, to be anti-racists (or non-supremacists). It is necessary to change power relations, spaces of political representation and the labor market, as well as the main guidelines of the educational system. It is necessary to modify curricula and the training of teachers and other education professionals, in addition to prioritizing democratic management. Synchronously, it is necessary to fight for the effective democratization of society and for the guarantee of the full exercise of rights, especially for those whose existence is historically marginalized – in focus here, the Brazilian black population. Research sources: Connected Schools, CLP and Porvir. ACKNOWLEDGMENT Canal Preto thanks the guests and the guest for their availability, support, trust and sharing of knowledge. Their speeches are the main reference used in and for the construction of all content published throughout the week. Vinicius Machado - Graduated in Geography from the University of Brasília (UnB). Coordinator of Politize! (Brasília), civil society organization promoting political education through citizen participation. Institutional President of Vestibular Cidadão in the years 2019 and 2021. Acting and municipal leader of the Mapa Educação Project, educator and collaborator of the Voz das Comunidades Portal. Co-founder of the "Tem Cor no Ensino" Project, a project for the democratization of teaching through the proposition of racially informed teaching materials. General Coordinator for the Promotion of Rights of the Black Population of the Secretariat for Access to Justice of the Ministry of Justice and Public Security. Clarissa Brito - Pedagogical coordinator at Escola Parque. Teacher, pedagogue with specialization in Early Childhood Education at the Pontifical Catholic University of Rio de Janeiro (PUC-Rio) and psychopedagogue at the Centro de Estudos Psicopedagógicos Pró-Saber. Active in the continuing education of teachers for the development of an anti-racist education and as a collaborator in the preparation of the book "My first collection - Contemporary art for children" (Nankin Edições e Arte), by Instituto LER. Author of the book "The psychopedagogical blackening: an ancestral dive" (Editora Jandaíra, 2021). Benilda Brito - Pedagogue and Master in Development and Social Management from the Federal University of Bahia (UFBA). Diversity, equity and inclusion consultant and CEO of Múcua Consultoria e Assessoria Interdisciplinar. Activist Malala Fund and the Nzinga Collective of Black Women. Keilla Vila Flor - Historian, teacher and co-founder of the "Tem Cor no Ensino" Project, a project for the democratization of teaching through the proposal of racially informed teaching materials. WWF-Brazil Ambassador and contributor to the Black Activism Portal. Racism. Either you fight, or you take part. Which one are you? #CanalPreto #Democratização #IdentidadeBlack #Schools #ParaTodoMundoVer: in the video, we see the following guests and the following guest, in this order of appearance: Vinicius Machado, a black man with light skin, short curly hair and a goatee beard, wears a white dress shirt and a striped tie in red, blue and black; Clarissa Brito, a black woman with dark skin and long faux loc hair, wears maxi earrings with golden beads and a brown long-sleeved blouse; Benilda Brito, a black woman with dark skin and long black braided hair, wears cowrie shell earrings, a wooden necklace, bracelets with beads in red and white/transparent and a dress with white straps; and Keilla Vila Flor, a black woman with dark skin and long curly hair, wears a burgundy T-shirt.

Canal Preto 00:08:09

EP1 - Black Cinema - Perspectives and the situation of Brazilian audiovisual for black creations

Black Cinema - Perspectives and the situation of Brazilian audiovisual for black creations

The representations and modes of production that involve, or do not involve, black languages, beings and actions in Brazilian cinema present several problems. It is important to reflect on how the artistic-cinematographic system organizes those who materially and narratively dominate the country's audiovisual film works, because when we think that black people direct and produce extremely relevant works about the very interpretation of Brazil since the 1970s ("Alma no Olho", short film by Zózimo Bulbul and inaugural of black cinema, is from 1973-4), but never had the opportunity to appear among the commercial/open circuit, we understand that anti-black racism still thrives structurally in the sector. Research sources: Geledés, Revistra Trip, Filmow, FilmFreeway and AgênciaBrasil. ACKNOWLEDGMENT: Canal Preto would like to thank the guest and guests for their availability, support, trust and sharing of knowledge. Their speeches are the main reference used in and for the construction of all content published throughout the week. Janaina Oliveira ReFem - Screenwriter, director and current vice-president of the Association of Black Audiovisual Professionals (APAN). Graduated in Publicity and Propaganda from Universidade Veiga de Almeida (UVA) and Master in Culture and Territorialities from Universidade Federal Fluminense (UFF). Market and Human Resources (HR) analyst at Raio Agency. Hugo Anikulapo Lima - Director, screenwriter and photographer graduated in Cinematographic Direction from Academia Internacional de Cinema (AIC). Member of the Coletivo de Jovens Negros Azoilda Loretto, Coletivo Siyanda (Cinema Experimental do Negro) and the Center for Afro-Brazilian Studies at Cefet/RJ (Neab/Cefet-RJ). He made, as a director and photographer, eight cinematographic productions: "Black sayings"; "Syianda", chosen as Best Script at the 72 Hours Festival; "Suspect"; "Desterro", elected Best Film (popular jury) and Best Soundtrack (Festival 72 Horas, 2017); "The Lord of every cross"; "The late afternoon"; "Xirê" and his newest short film, "On the way home" (2022). Director of Photography for the short films "Xirê" (Hugo Anikulapo Lima) and "End of Afternoon" (Hugo Anikulapo Lima, 2019) and the films "Manga com Leite" (Nathali de Deus, 2017); "Our steps will follow yours..." (Uilton Oliveira, 2021); "Fábrica de beak" (Viny Marx, 2022) and "On the way home" (Hugo Anikulapo Lima, 2022). Arthur Anthunes (ARTH) - Journalist and presenter. Creator of eolor, entertainment profile focused on cinema, music and TV. Most influential personality on Twitter Brazil of the year 2022. Editor of the Mundo Negro Site. Lucas Litrento - Writer, filmmaker and cultural producer. Author of the books "The boys went black because they went" (Iogram, 2019), "TXOW" (EdiPUCRS, 2020; semifinalist of the 2021 Oceanos Literature Prize) and "PRETOVÍRGULA" (Círculo de Poemas, 2023). Editor of the Loitxa Lab multiplatform label. Director of the short film "circles" (1TXW, 2020). Racism. Either you fight, or you take part. Which one are you? #CinemaNegro #Audiovisual #CriaçõesNegras #RacismoEuCombato #ParaTodoMundoVer: in the video, we see the following guest and the following guests, in this order of appearance: Janaina Oliveira ReFem, a black woman with light skin and shoulder-length curly hair, wears round golden earrings and a sleeveless blouse with an animal print print; Hugo Anikulapo Lima, a black man with dark skin, short curly hair and a beard all over his face, wears black glasses with rounded frames and a short-sleeved blouse in a floral print in white, green, yellow and black; Arthur Anthunes (ARTH), a light-skinned black man with a black goatee beard and curly hair tied in a bun over his head, wears a silver necklace and a brown short-sleeved shirt; and Lucas Litrento, a light-skinned black man, with short curly hair and a full-length beard, wears a silver necklace over his lap and a black T-shirt.

Canal Preto 00:08:33

EP20 - Freedom, Plurality and Dignity: An approach to anti-black religious racism

Freedom, Plurality and Dignity: An approach to anti-black religious racism

In Brazil, a country structured by different forms of racism, the term "religious intolerance" is not enough to describe the violence suffered by those who worship orixás, inquices and voduns, Allah (Alá), Yahveh (Yahweh or Jehovah), enchanted people, street people and even other entities beyond the comprehension of the western imagination. It becomes necessary to search for another expression capable of naming and leaving no doubt about what and to whom this violence is directed. In this sense, the use of the concept "religious racism" seems more appropriate to define practices that threaten freedom and the existence of traditional communities, such as indigenous, gypsy and Terreiro — in particular, adherents of African and Afro-Brazilian religions and belonging to these traditions and cultures. Research sources: Mundo Negro, Educa Mais Brasil, Politize!, Geledés, Aurora Institute, Conectas Human Rights Portal and Agência Brasil. ACKNOWLEDGMENT: Canal Preto thanks the guests and the guest for their availability, support, trust and sharing of knowledge. Their speeches are the main reference used in and for the construction of all content published throughout the week. Ivanir dos Santos - PhD Professor in Comparative History at the Federal University of Rio de Janeiro (UFRJ). Founder of the Marginalized Populations Articulation Center (CEAP) Thayane Fernandes - Social scientist, PhD student and Master in Anthropology at the Federal University of Pernambuco (UFPE). Culture lover, poet, DJ, cultural provocateur and creator. Researcher of Pentecostalisms, black subjectivities, memory and childhood and adolescence. Minister of the workshop "Laboratório de Escrivências", aimed at black people. Quezia Barreto - Lawyer. Master's student in Ethnic Relations and Contemporaneity at the State University of Southwest Bahia (Uesb). Postgraduate degree in Civil Procedure from Cândido Mendes University (UCAM) and Director of Communication and Dissemination of the National Association of Islamic Jurists (ANAJI). Member of the Law and Race Relations Program at the Federal University of Bahia (UFBA) and of the Center for Studies and Research in Psychoanalysis, Identity, Negritude and Society at the Federal University of Recôncavo Baiano (UFRB). Correspondent of the Truth Commission on Slavery in Brazil of the Brazilian Bar Association, regional São Paulo (OAB-SP). Correspondent of the International Law and International Relations Commission of the International Law Commission of the Bahia Lawyers Institute (CDI/IAB-BA). Racism. Either you fight, or you take part. Which one are you? #LiberdadeReligiosa #RacismoReligiosoAntinegro #RacismoEuCombato #ParaTodoMundoVer: in the video, we see, in this order of appearance, the following guests: Thayane Fernandes, a black woman with jet-black skin and curly hair slightly blonde at the ends, who wears a septum piercing, a shiny silver choker in different geometric shapes, rings on the ring finger of her right hand (silver) and two others, respectively, on the index (pink) and middle (silver) fingers of her left hand, in addition to a black blouse with a checkered print; Quezia Barreto, a dark-skinned black woman, wears green round-framed glasses, a hijab patterned in shades of blue and caramel, and a long-sleeved navy blue dress; and Ivanir dos Santos, a black man with jet-black skin and curly gray hair, who wears a white eketé and a blue tunic with yellow embroidery.

Canal Preto 00:08:09

EP19 - Afro-Brazilian Food Culture - Flavors, Colors and Destinations.

Afro-Brazilian Food Culture - Flavors, Colors and Destinations.

The contributions of indigenous peoples and African nations to our eating habits are diverse. Black Africans in the diaspora introduced both ingredients/vegetable species and food management techniques that were different from those then present in agriculture/processing current in Brazilian lands, of indigenous origin, such as coconut milk from the bay, palm oil, or palm oil, and chili pepper. African cuisine was and continues to be extremely notorious in the Brazilian food base, which, today, seeks to regain black-indigenous and female protagonism in its basic cuisine. Research sources: Idec, Diário do Nordeste, Sabor à Vida Gastronomia, Cozinha Técnica, Afreaka, Mundo Negro and Brasil de Fato. ACKNOWLEDGMENT: Canal Preto thanks the guests and the guest for their availability, support, trust and sharing of knowledge. Their speeches are the main reference used in and for the construction of all content published throughout the week. Bruna de Oliveira (Bruna Crioula) - Ecological nutritionist, popular communicator, Master in Social Sciences and founder of Crioula Food Curation. Daniele David (Chef Dani Pimenta) - Teacher, lecturer, consultant, digital media columnist and digital content producer. Owner of Dani Pimenta Gastronomia Ancestral. Leila Manhaes - Cook and graduate student of the Nutrition course at the Federal University of Rio de Janeiro (UFRJ). Coordinator of the lettuceirAs project, of vegetable cooking. She learns Afro-Brazilian ancestral cuisine through speech. Marina Santos - Chef of vegetable and artisanal micro cuisine. Rodrigo Freire - Chef and owner of Preto Restaurante. Racism. Either you fight, or you take part. Which one are you? #FoodCulture #Sabores #canalpreto ParaTodoMundoVer: in the video, we see the following guests, in this order of appearance: Daniele David (Chef Dani Pimenta), a black woman with light skin and long curly copper hair, wears amber-colored round-rimmed glasses and a white short-sleeved blouse with a central motif; Rodrigo Freire, a light-skinned black man, with braided hair and a beard, wears rings on the fingers of both hands, a silver watch on his left wrist and a bracelet with black ribbons on his right wrist, a black short-sleeved shirt and jeans; Marina Santos, a black woman with light skin and short curly hair, wears salmon-colored round earrings and a blouse with a colorful print in green, white and red; Bruna de Oliveira (Bruna Crioula), a black woman with dark skin and short curly hair, wears square-framed glasses, maxi earrings and a dress printed in navy blue and white; and Leila Manhaes, a dark-skinned black woman with a bantu knot hairstyle, wears glasses with transparent rounded frames and a colorfully patterned blouse.

Canal Preto 00:08:42

EP18 - Black Masculinities, Body and Intellectuality

Black Masculinities, Body and Intellectuality

Hegemonic masculinity is white. Overdeterminedly, black men have to deal, precisely for this reason, with the challenge of building a masculinity that is distinct, but previously subjugated, from their socioeconomic-material reality and their racial belonging. Persecuted in emotions, humanity and affections, black and non-white men only serve to execute the orders of whiteness, when they do not have the masculinity and subjective constitution marked by racism in the hypersexualization, animalization, criminalization and dehumanization of their bodies and wholeness, among several other extremely destructive nuances. Sometimes, the black man suffers various traumas and violence in his childhood, endangering his life during his own existence. If he has the magnitude of reaching adulthood, he will carry all the weight and all sorts of pain, fears and insecurities through life. Even if among effective social mobility, black men will feel misunderstood and will be called "angry" blacks by racists, if they feel anger... Research sources: Carta Capital, Trip Magazine and Geledés. ACKNOWLEDGMENT: Canal Preto thanks the guests for their availability, support, trust and sharing of knowledge. Their speeches are the main reference used in and for the construction of all content published throughout the week. Rolf Malungo de Souza - Anthropologist and professor at the Fluminense Federal University (UFF). Researcher of the right to the city and masculinities. Renato Noguera - PhD in Philosophy from the Federal University of Rio de Janeiro (UFRJ), writer and professor at the Graduate Departments in Philosophy, Education, Contemporary Contexts and Popular Demands (PPGEduc) at the Federal Rural University of Rio de Janeiro (UFRRJ). Cleubecyr Barbosa - Psychoanalyst. Writer. Coordinator of the Terapretas therapeutic group for men. Professor at the PSICANALISAR School of Psychoanalysis. Coordinator of the course "Racism in subjectivity". Racism. Either you fight, or you take part. Which one are you? #MasculinidadesNegras #CanalPreto #RacismoEuCombato #ParaTodoMundoVer: in the video, we see the following guests, in this order of appearance: Rolf Malungo de Souza, a light-skinned black man, who wears round-rimmed glasses and a gray shirt emblazoned with the figure of the Guinean intellectual and revolutionary Amílcar Cabral (1924-1973) in its center; Renato Noguera, a black man with jet-black skin, a beard and hair with graying dreads, who wears round-framed glasses and a navy blue shirt; and Cleubecyr Barbosa, a black man with fair skin and a beard, who wears square-framed glasses and a navy blue button-down shirt with white motifs.

Canal Preto 00:08:39

EP17 - Black Health, Care, Primary Care and Rights

Canal Preto 00:08:31

EP16 - Black Literatures - The Writers of Ancestral Times

Black Literatures - The Writers of Ancestral Times

The ideas of black and marginal/peripheral literature appear in Brazil throughout the twentieth century and are closely linked to the forms of political-cultural associations of their groups of origin. Among a significant number of authors, themes, aesthetic and political propositions, there are writers who sometimes adhere to those injunctions, defending them between literary being and doing, and sometimes repel them, despite being black and/or or peripherals coming from a similar socio-racial and economic context. However, almost every black and peripheral author has already found himself or herself involved in such discussions right at the beginning of their editorial careers, because non-white authorship or authorship that has become canonical is commonplace. The Brazilian literary system crystallized the black writer as a kind of rare avis, subject outside his authorial place, that is, marginal, and socioeconomic. Given the social-material forms of production and emergence of these authors, on several occasions, within the canon, it was questioned how it was possible for literary creation to have emerged in scenarios so inhospitable and/or displaced from the hegemony. The unusual is not operated here as an element of the fantastic universe, but as a two-way street, or even contradictory, of everyday life. The negation of negation, or the principle of affirmation of the self and the social subject, for black and peripheralized people, makes political activism and literary creation by black-peripheral authorship possible. Periphery is also a place and, in it, because it is dispensable from a hegemonic center, equally unique names, histories, paths and subjectivities are enshrined. Research sources: Maria Firmina dos Reis Memorial, CULT Magazine, Galileu Magazine, Nova Escola, O Globo, Brasil Escola, Primeiros Negros e Geledés,

Canal Preto 00:08:16

EP15 - Black Museums: For Another Black Museology and Historical Narrative in Museums

Canal Preto 00:08:45

EP14 - Facial Recognition and Black Advocacy - Representativeness and Criminal Debate in the Judiciary

Canal Preto 00:08:28

EP13 - Anti-racist Education: Initiatives and Strategies for Black Visibility and Against Racial Trauma

Canal Preto 00:08:04

EP12 - Black and Women's Advocacy - The Judiciary's Challenges and Storms for Black Women

Canal Preto 00:07:43

EP11 - Black Transcestralities: Life, Trajectory, History and Resistance

Canal Preto 00:07:49

EP10 - Black and Black Podcasts and Podcasters: For Another Black History and Influence

Canal Preto 00:07:54

EP9 - Domestic Work and Labor in Brazil: A Black Struggle

Canal Preto 00:07:56

EP8 - Black Sociabilities and Cultural Political Resistance

Canal Preto 00:08:29

EP7 - Love for a Dark Future

Canal Preto 00:08:05

EP6 - Highlights of the Year 2022

Canal Preto 00:08:56

EP5 - Kwanzaa and the Rescue of African Roots

Canal Preto 00:08:13

EP4 - Algorithmic Racism x Engagement x Influence, Security and Economy

Canal Preto 00:08:21

EP3 - Blackness and Financial Education - Self-Defense and Emancipation

Canal Preto 00:08:07

EP2 - "Eu Sou O Samba" - Cultural Restoration and Repair

Canal Preto 00:08:25

EP1 - Black Audiovisual Memory

Canal Preto 00:07:22

EP20 - Of our black and black Brazilian heroes and heroines

Canal Preto 00:07:12

EP19 - Black Parties

Canal Preto 00:08:18

EP18 - Dreads, Rastafari and Resistance Culture

Canal Preto 00:07:30

EP17 - Alive Black Youth

Canal Preto 00:08:22

EP16 - Teatro Experimental Do Negro (TEN) - Legacies and Insurrections By Abdias Nascimento

Teatro Experimental Do Negro (TEN) - Legacies and Insurrections By Abdias Nascimento

Abdias Nascimento (1914-2011) brought to the theater the political dimension of black resistance. Conceived by the intellectual, emphasizing his pioneering role in contemporary Brazil, the Teatro Experimental do Negro (TEN) acted as a network of articulations and activism against black anti-racism between the 1940s and 1960s. The poet, essayist and playwright had his definitive contact with the performing arts during the trips he made alongside the group of poets from Santa Hermandad Orquídea, founded in Rio de Janeiro, in 1939, and made up of the Argentines Godofredo Tito Iommi, Efraín Tomás Bó and Juan Raúl Young, in addition to the Brazilians Gerardo Mello Mourão , Napoleon Lopes Filho and Abdias himself. On a trip undertaken by the brotherhood in 1941, Abdias watched the play "Emperor Jones", by playwright Eugene O'Neill (1920), in the capital of Peru (Lima). In the play performed by the Argentine group Teatro del Pueblo, a white actor portrayed the protagonist with his face painted black, a racist practice called "blackface", an exaggerated representation of black characters popularized in the United States in the 19th century (19). Ipeafro, for Afro-Brazilian studies and research, was created in 1981 by Abdias Nascimento and Elisa Larkin Nascimento, his partner and now widow, after Nascimento’s 13-year exile due to the heavy repression of the civil-military dictatorship in Brazil. The Institute was created with the mission of guarding the artistic and documentary collection of Abdias and the organizations he founded, namely the Teatro Experimental do Negro (TEN, 1944-5) and the Museu de Arte Negra (1950). In an unlikely moment for the creation of transformative initiatives, in which the country sent a force of 25 thousand men to the Second World War (1939-1945) and would suffer the loss of 454 soldiers, the Experimental Theater of the Black was born in Rio de Janeiro. (TEN), on October 13, 1944, with the proposal to rescue black, Afro-Brazilian culture and work on the social valorization of black national territory through education, culture and art. Research sources: Alma Preta, Teatrojornal, Cultne TV, Iná Livros, Multi Rio and Inside Africa.

Canal Preto 00:08:07

EP15 - Black Childhood - For a Positive Negritude

Canal Preto 00:07:51

EP14 - Black Culture, "BLERDS" (Black nerds) and Afrofiction

Canal Preto 00:08:55

EP13 - Brazilian Black Press - From "O Homem de Cor" (1833) to Digital Mediativism

Canal Preto 00:09:34

EP12 - black bisexualities

Canal Preto 00:09:02

EP11 - Black Women and Men Travelers and Afrotourism

Canal Preto 00:09:24

EP10 - Black Anti-Capacitatism and the Black Struggle - PwD

Black Anti-Capacitatism and the Black Struggle - PwD

Capacitism is a problem in our society. People with disabilities (PwD) are often made invisible in the press, in advertising, in the job market and in art. Even after several battles for more inclusion, there are still necessary reparations and struggles to be fought by and for this population. Ahead of the struggle for accessibility and visibility, women with disabilities occupy spaces on the internet and on the streets. Of different colors, ethnicities, sexualities and histories, they celebrate plurality and reaffirm that no one can or should be reduced to their disability. Each one in its own way, all of them, all of them, continue to march against ableism — discriminatory attitudes, conscious or not, that subjugate someone's autonomy and reveal prejudice against people with disabilities. Worldwide, more than a billion people live with some type of disability, according to a 2018 United Nations (UN) report. Here, in Brazil, about 8.4% of Brazilians (17.3 million people ) over two years of age have a disability, according to data released in 2021 by the IBGE. Even representing a significant portion of the population, people with disabilities live with a series of vacuums in the scope of public policies, violence that is (institutional) fed back by the absence of media representation, an aesthetic that reverberates even in so-called plural spaces, such as social movements. Individuals with disabilities are treated as footnotes, always associated with the semantic cloud of accessibility — which does much more to segment than to include. Associated with an assistentialist bias in the agendas, PwDs appear in these discourses as subjects and subjects of a passive citizenship, always waiting for a person — of corporeality normatized as functional, preferably — to include them in the spaces. It is under the false premise of inclusion that, even on the progressive spectrum, people with disabilities are seen as exceptional existences — a phenomenon that the anti-racist struggle recognizes and debates with propriety, as shown by the concept of the single black syndrome.

Canal Preto 00:08:30

EP9 - Black women in RAP

Canal Preto 00:08:38

EP8 - Afreekana Womanism and Black Feminisms - Convergences and Possibilities

Afreekana Womanism and Black Feminisms - Convergences and Possibilities

A movement to rescue, to relocate black people in the world differs from the women's movements in the West, fighters for gender equality; of black feminism, or black feminisms, which includes the issue of race and class – as noted by black philosopher Angela Davis (1944-) in her book "Women, race and class" (1981; BOITEMPO, 2016) – , and the womanism of the American Alice Walker (1944-), author of "The Color Purple" (The Color Purple, 1982), which, in the literary field, does not prioritize the discussion of gender, but rather of race and class. Afreekana womanism (read "African") is a political proposal coined in the late 1980s by Afro-Student professor Clenora Hudson-Weems (1945-) - and later systematized in "Africana Womanism: Reclaiming Ourselves" ("Womenism Africana: recovering ourselves", 1993) –, which makes an epistemological investigation of how African women organized themselves before the colonial period and understood their cultural and historical experiences before the crossings, nomenclatures and perspectives constructed in the post-colonization period. In this investigation, Hudson-Weems comes across a previously uninvestigated experience: that of female self-organization from an African perspective. The author reports having only understood, reflected and organized in letters the systems of community organization and management, collective of the women of the continent, who figured at the head of their people, from matrilineality and, therefore, considered the vital and organizational centers of that region. collectivity. Women organized the entire structure of their people. Based on this notion, Hudson-Weems establishes the concept "Afreekana womanism", which deals with an emancipatory proposal about the participatory place of black African women in history, identifying them as agents of power and decision, wisdom and struggle. Afreekana womanism reflects, and is reflected, from the agency itself, that is, from the agencies of black African and diaspora women in their world location, as their own epicenter. In this sense, nothing that has not been embryonically thought of by black women in and from Africa can account for their totality, spirituality and ancestry. Unlike feminist gender struggles, the Afreeka womanist perspective of reestablishing the emancipation and autonomy of black people makes it possible to understand the centrality of race in the violence directed by coloniality on the bodies of black women and men as a reality of life in the westernized world. This particularity of Afreekana womanism also stands out for understanding that black men are also part of the processes of violence built by racism, because once they become a subaltern gear for the continuity of white power. Black men are, then, part of the debate, equally responsible for the reconstruction of their identity subtracted by the colonial process. Afreekana womanism is, therefore, an alternative to understand, reflect and act towards the exit from the Western Maafa [political neologism used to describe the history and ongoing effects of the atrocities inflicted on the African people] in which we live. . Research sources: Mundo Negro, G1, Primeiras Negros, The Gazette and Oxy.

Canal Preto 00:08:33

EP7 - Black Brands: Revolution and Political Struggle

Canal Preto 00:08:40

EP6 - Black Lesbianities - Loving and Reexisting Lesbians

Black Lesbianities - Loving and Reexisting Lesbians

Identities as social development have interpretations and provoke meanings, that is, they are historical constructions. These constructions favor the continuation of privileges and the hegemonic social order that encourages misogyny and the repulsion to the "corpas" of the hoes and their sexualities. Thus, black lesbian identities and subjectivities become victims of cumulative discrimination that generates invisibility and physical extermination, the so-called "lesbocide", a particular form of femicide (violence practiced against women because of their gender) to lesbian women/ shoes. The practice, by the way, secular, has been supported by the necropolitical State and widely tolerated by the lesbophobic racial-heteropatriarchal Brazilian society. This exercise is built in accordance with a historical process of erasures, silencing, invisibilities and the hecatomb of the lives of lesbian black women/sapatonas in Brazil. In the field of the conceptual framework or theoretical framework, the discussion goes through "intersectionality", a theoretical-methodological and analytical axis originally American, but Brazilianized, from the work of the black intellectual from Bahia Carla Akotirene (2019), which has been deeply praised by critics. surgical approach to the academic and epistemic whiteness of black African, Afro-descendant, indigenous and sexual dissident knowledge. The oppression brought by racism, therefore, conditions the social marginalization of black women in general and, in particular, of lesbian/sapatonous black women, in which racist and lesbophobic stereotypes, such as the "angry black woman", responsible for provoking violence against their own bodies and bodies, result in black lesbocidal femicide. The fragility and social protection dedicated to white counterparts are denied by society and the State to different categories of women and sexual expressions. Research sources: Gama Magazine, Claudia Magazine, Geledés and Palmares Foundation.

Canal Preto 00:08:37

EP5 - black paternity

black paternity

Black paternity cannot be analyzed from the same place as white paternity. The first step is to deconstruct paternity, and parenting in general, as singular movements. Fatherhoods occupy distinct places in this arena. Analyzing paternity without racial, class and gender cuts is an empty and unnecessary effort. Intersectionality is an important concept and a starting point for understanding the different paternity exercises. If this black man survives to father, when he can and does, he is faced with the challenge of being a father or caregiver and having to teach his sons and daughters to live with anti-black racism, that is, he still needs to create a repertoire of paternity broader than that of a white person – yes, in Brazil and elsewhere in the black-African diaspora, the racist superstructure places excess weight on being and existing blacks. A certain premise was created that black parents are more absent in the lives of their sons and daughters. Adverse socioeconomic conditions of these parents/caregivers who, eventually, do not live with their offspring and, therefore, cannot see them frequently or provide consumer goods and education, forged the image of non-appreciation of fatherhood by the black man. . "I don't know of data that point to this situation of absence. Both black and white men present a situation of absence in relation to their children. I believe that this situation also happens due to the lack of planning, and this ends up generating a very serious problem for the woman, who assumes the creation alone. Now, unstructured families can be more recurrent in spaces that present incomes below the poverty indexes, and this directly affects the black community for not having yet reached a level of schooling that allows them to better incomes. situation of lack of perspective, with unemployment and abuse in the use of alcohol and drugs, is a factor that can explain this situation", says Leonardo Bento, father of five-year-old Aísha, and three-year-old Naíma, in a report by Mayara Penina for the Free Turnstile Portal.

Canal Preto 00:08:29

EP4 - Black's July - Tradition, Persistence and Ancestry

Black's July - Tradition, Persistence and Ancestry

On July 25th, we celebrate the International Day of Black Latin American, Caribbean and Diaspora Women - referring to the First Meeting of Afro-Latin American and Caribbean Women held in Santo Domingo, Dominican Republic, on the same date in 1992 -, in addition to of the National Day of Tereza de Benguela, which recalls the quilombola struggle and resistance of Quariterê (MT) under the leadership of Queen Tereza (1730-1770) in a Federal Law enacted by former President Dilma Rousseff (Law 12.987/2014). As a result, for many institutions and for many people, the period covered by the series of celebrations around the ephemeris is known as the Black July. Marking the month with activities related to debates on racial, gender and class oppression, the rise and insertion of black cis and trans women, for example, in politics was part of the strategy adopted to bring necessary reflections about the place occupied by this part of the population to the whole of Brazilian society, while, simultaneously, multisectoral articulations to face this reality are re-elaborated and discussed. Our position is also the result of the certainty that, when black women are effectively and proportionally represented, the democratic consolidation in the Brazilian style that has always been attempted will be effective, because under the principles of racial justice and reparation. Our guest Fátima Lima, anthropologist, Associate Professor at the UFRJ Multidisciplinary Center – Macaé, Northeastern, collaborator at Casa das Pretas and coordinator of the Study and Research Group ORI - Study and Research Group on Race, Gender and Sexuality/CNPq, says: " There's a lot of production by black women for us to meet and learn about!". Jaqueline Gomes de Jesus, professor of Psychology at the Federal Institute of Rio de Janeiro (IFRJ) and the Department of Human Rights, Health and Cultural Diversity at the Sérgio Arouca National School of Public Health at the Oswaldo Cruz Foundation (DIHS/ENSP/Fiocruz), speaks about the academic system and the importance of diverse education. Our guest Raquel Barreto, historian and researcher specializing in the work of the authors Angela Y. Davis (1944) and Lélia Gonzalez (1935-1994), talks about the black movement and the production of knowledge by black intellectuals, citing Lélia Gonzalez (1935-1994). ) and Beatriz Nascimento (1942-1995) as the main historical references. Melina de Lima, historian and granddaughter of the great intellectual and activist Lélia Gonzalez (1935-1994), co-author of the Lélia Gonzalez Vive Project and Director of Education and Culture at the Lélia Gonzalez Memorial Institute (coming soon), talks about African philosophy, intellectual production -theory of black women, their historical contributions to the black and feminist movements and the lack of racial democracy in the country. Our guest Idelzuíta Ribeiro da Paixão, matriarch and granddaughter of the founders of Quilombo Mimbó, in the rural area of ??Amarante (PI), tells us about her family history and the construction of Quilombo Mimbó. Research sources: Geledés, Brasil Escola and G1. ACKNOWLEDGMENTS: Canal Preto would like to thank our guests for their participation.

Canal Preto 00:08:02

EP3 - Muralism, Comics and Graphic Art Negros

Canal Preto 00:08:24

EP2 - Funk: Parties, Fashion and Creative Economy

Funk: Parties, Fashion and Creative Economy

Police repression has been part of the reality of suburban dances, especially black ones, since the 1970s. The dances went from soul to 150 bpm, but black culture remains criminalized in Rio de Janeiro, São Paulo and other states in Brazil. Carioca funk appears in the 1980s. Its origin is the mixture of hip hop electronic beats, rap poetry and the ability of DJs to mix repetitive beats with melody. The theme of the lyrics is directly linked to the daily life of the favela or suburb. Currently, funk is divided into several subgenres, such as funk melody (with a romantic theme and without an explicitly sexual appeal), funk ostentação (a line that extols wealth and a certain luxurious life), funk prohibition (whose portrait is mostly that of reality of communities and favelas under drug trafficking) and new funk (which unites funk and dance-pop). Funk is still rejected, if not criminalized, due to anti-black racism and class prejudice. The rejection goes beyond the barrier of the musical genre, because it is a rhythm that bothers, mainly, the historically privileged portion of the (white) society. Funk is a cultural manifestation of the masses, the people and, above all, the black, poor and favela youth. It is important to emphasize that other cultural productions created in the midst of black Brazilian movements and/or the black African diaspora have also been criminalized in the past, such as capoeira, samba and rap. Several other cultural manifestations are marginalized, including African and Afro-Brazilian religions, such as Umbanda and Candomblé, systematically persecuted until the present day. MC Zuleide, composer, communicator, poet and street vendor from Leme, tells us about her experience as an MC and her dreams. Our guest DJ Def Brks, member and founder of the Original Flow Kidz Group, idealist and producer of the Collective of DJs VinteRoom, DJ, music and cultural producer and creator of "Breaking", an innovative format of Breakbeats BR in fusion with carioca funk, speaks about funk being popular and accessible. Luciane Soares da Silva, associate professor at the Universidade Estadual do Norte Fluminense Darcy Ribeiro (UENF), head of the Civil Society and State Studies Laboratory (LESCE) and coordinator of the City, Culture and Conflict Studies Center (NUC), talks about the criminalization of funk, police action and the economy of the dance. Our guest Tássia Seabra, producer, black woman, cultural accelerator, social communicator, screenwriter and director of several video clips, founder and coordinator of Coletivo Ibura Mais Cultura and CEO of Agência Seabra, which professionalises independent peripheral artists to compete in the phonographic market, says: "We understand that funk is a way, a survival option for young black people on the periphery, away from violence". Renata Prado, dancer, teacher, funk choreographer, researcher, producer, coordinator of the National Front of Funk Women and the Funk Academy and Pedagogy student at the Federal University of São Paulo (Unifesp), talks about the revival of funk culture , black youth and the creative economy. Research sources: UOL, El País, Hysteria, Estadão and Brasil de Fato. ACKNOWLEDGMENTS: Canal Preto would like to thank the participation of our guests and guest.

Canal Preto 00:08:38

EP1 - Hair is power! Ancestry, Memory and Aesthetic Revolution

Hair is power! Ancestry, Memory and Aesthetic Revolution

Considered by many and many just an aesthetic instrument, hair goes far beyond that. The simple option for a cut or hairstyle says a lot about a person's personality. For black men and women who, especially since the 1950s, parade with their imposing Black Power, hair transcends the field of beauty and means an encounter with identity, as well as a tool for affirmation. The trajectory of black power began in the 1920s, when Marcus Garvey (1887-1940), considered the precursor of pan-Africanist black activism in Jamaica, insisted on the need to break with Eurocentric standards of beauty in order to promote the encounter of black men and women in diaspora with their African roots. Decades later, in the United States, the Afro also began to gain space and became another of the protagonists of the black struggle for civil rights in the 1960s. However, black women were the most propelling of this history. Conditioned since the time of enslavement to straighten their hair, they "put their foot down" and decided to walk the streets au naturel, causing astonishment, horror and reaction from the white community. For almost 70 years, the struggle for aesthetic (self) valorization as an identity in the diaspora, in which hair and its naturalness stand out from Western beauty standards, has consolidated itself as an instrument of resistance and culture. In this context, whether in politics or in the arts, black power was and is a symbol that transcends the borders of beauty and means for black men and women the result of the struggle of their, their ancestors, for the determination to keep alive the identity of those who fought for rights. In this search, hair is identity and also a symbol of respect and self-affirmation. Our guest Amanda Coelho (Diva Green), black woman, mother, hair artist, braider, wigmaker and mayakeira, talks about her black experiences, beauty and aesthetics. Carolina Pinto, lawyer, businesswoman, legal manager at a technology company and founder of RAS, the first luxury salon specializing in braids in Brazil, talks about the growth of hair transitions and the recovery of braids. Vitor Gomes, afro hair sytle, creator and founder of Príncipe das Tranças, a space focused on cutting and caring for afro hair, a braider and afro hairdresser specializing in curly and curly hair, says: "Hair is the result of habits and cultures. It's about talking about self-care and reaffirming: 'you are beautiful indeed!'. Working with black aesthetics is empowering". Our guest Gabriela Isaias, documentary photographer, writer and researcher, doctoral student and master in Communication and Culture at UFRJ, researcher of the cultural and aesthetic identities of the African diaspora and author of the digital report "In this corner of the world: the resignification of African braids in Rio de Janeiro Janeiro" (2018) and the dissertation "The length of desire: long hair and the black female performances" (2022), talks about generational knowledge and the black hair aesthetic revolution. Research sources: Afreaka, Alma Preta, Fashion Bubbles, Mercadizar, Salão Virtual and Purebreak. ACKNOWLEDGMENTS: Canal Preto would like to thank the participation of our guests and guest.

Canal Preto 00:08:56

EP20 - All Lives Matter: LBTTGIAPN+ Lives and Pride

All Lives Matter: LBTTGIAPN+ Lives and Pride

ALL BLACK LIVES MATTER: LBTTGIAPN+ EXISTENCES AND PRIDE According to the study "What is the color of the invisible? The human rights situation of the black LGBTI population in Brazil" (International Institute on Race, Equality and Human Rights, 2020), there is a pattern of systematic violations against black LGBTI people that excludes them access to education, health and the formal job market. Added to this, police brutality, racial violence and associated LGBTI+phobia worsen the quality, hope and life expectancy of the group in the country that held the record for its genocide in the world. The study highlights that one of its limitations is to rely only on data on violence attended and reported in health services via the Notifiable Diseases Information System (Sinan). "Therefore", the authors state, "it is assumed that there is underreporting of cases and that the data presented do not reveal the prevalence of violence experienced by the LGBT population". Despite this, the index presented is considered more comprehensive than the data collected in police stations or complaints by telephone. Correlating the numbers and profiles of those who are protagonists in the struggle for basic rights, the dossier of the International Institute on Race, Equality and Human Rights reiterates that there are important differences in the experience of sexuality and identity, when the issue is racialized - between the experiences of white and black, cis, trans and transvestites – LGBIAPN+ people. The same study assesses this dissimilarity through the thesis defended by the researcher and black and gay activist from the Afro LGBT Network (BA) Washington Dias: "There are different issues. While white gays fight for marriage and equality, the reality for the vast majority of gay blacks is to fight for survival", he points out. There is an urgent need to debate the genocide of the black population, the demilitarization of the police, in addition to training security forces in human rights, to discuss and improve statistical production and make reparations for the series of violence historically perpetrated, since the situation affects black people. LGBTs and all blackness. As a consequence, Brazilian society becomes, as a whole, the executioner of these populations, because it reproduces the "closets", invisibilizations and various erasures. These intersecting debates should therefore never be separated. Fênix Zion, multi-artist, pioneer in Alagoas, dancer, dance teacher, fashion producer, catwalk instructor, stylist and writer, talks about the black movement and cites Conceição Evaristo to talk about her re-education as a black Brazilian person. Fel Lara, creator of the Afro-urban brand Roupas Lara (@roupas.lara) and videomaker graduated in Audiovisual from Centro Universitário Senac, says: "My body is free, my identity is free and my expression is free!". Baobá, independent artist of music, theater, singing, composition, performance and hairstylist, talks about advances in the LBTTGIAPN+ struggle, expectations for the future and art. Will Oliver, songwriter, non-binary, pansexual and non-monogamous artist, talks about patterning, lack of affection, pain and trauma. Search sources: Yahoo Notícias, Revista Galileu, Literafro, Them, Esqrever. Glossary Serophobia: Fear, aversion or prejudice against people living with HIV. Xenophobia: fear or distrust of people outside that territory, in general, foreigners. ACKNOWLEDGMENTS: Canal Preto would like to thank our guests for participating. Fênix Zion – Multiartist, pioneer from Alagoas, dancer, dance teacher, fashion producer, catwalk instructor, stylist and writer. Fel Lara – Creator of the afro-urban brand Roupas Lara (@roupas.lara) and videomaker graduated in Audiovisual from Centro Universitário Senac. Baobá – Independent music, theater, singing, composition, performance and hairstylist artist. Will Oliver – Songwriter, non-binary, pansexual and non-monogamous artist. Racism. Either you fight, or you take part. Which of the two are you?

Canal Preto 00:08:33

EP19 - Black Digital Presence - Black Digital Influencers

Black Digital Presence - Black Digital Influencers

With the expressive use of social networks in the last decade, the Internet made possible the decentralization and the greater consumption of information, aspects that generated an immediate identification of the public with producers and producers of content in a digital environment. Whether day to day or any other matter involving the behavior of such profiles, the so-called "followers" and "followers" remain daily attentive and attentive, sometimes for 24 hours uninterrupted, to updates, ensuring an audience for those who wish to establish a reference. in their respective fields of activity – or not. As a new means of communication, digital media have enabled the rise of a plurality of voices, eager to show who they are, what they can offer the world and dialogue with their peers, as is the case with the online profiles of personalities. black. However, as a market, the numbers have become synonymous with the level of influence and formation of public opinion - among followers, likes and comments -, which allows the audience, especially companies and brands, a broad panorama of how much a profile can impact your environment. Our guest Yolanda Frutuoso, social media and content producer at Catraca Livre (Diversa Project), creator of the channel "Afrobetizando" (YouTube) and social media of the Bitonga Travel project (collective of black women travelers), says: "My project only exists thanks to social networks, which made this aesthetic and intellectual empowerment possible". João Marcos da Silva Bigon, writer and analyst of Racial Education and Literacy Projects at Instituto Identidades do Brasil (ID_BR), History teacher, Master in Ethnic-Racial Relations (Cefet-RJ), digital content producer and social educator, says : "This new universe, this new language that the internet draws only reveals that our people are the people of technology". Our guest Paula Batista, journalist, anti-racist educator, specialist in Media, Information and Culture at the University of São Paulo (USP), Master in Scientific and Cultural Dissemination at the State University of Campinas (Unicamp) and creator of "Being anti-racist" - where dedicated to anti-racist education, racial literacy for the promotion of racial equality and combating racism –, talks about the importance of representation in the digital field. Research sources: Ceará Criolo, Veja Rio, Mundo Negro, Deezer, TramaWeb, Racismo Ambiental, Correio Braziliense, Elástica, Jota.info, Conexis, n-1 Editions, The Intercept. Canal Preto would like to thank our guests and guest. João Marcos da Silva Bigon - Writer and analyst of Racial Education and Literacy Projects at Instituto Identidades do Brasil (ID_BR), History teacher, Master in Ethnic-Racial Relations (Cefet-RJ), digital content producer and social educator. Paula Batista - Journalist, anti-racist educator, specialist in Media, Information and Culture at USP, master in Scientific and Cultural Dissemination at Unicamp and creator of "Ser anti-racista", where she is dedicated to anti-racist education, racial literacy for the promotion of racial equality and combat racism. Yolanda Frutuoso - Social media and content producer at Catraca Livre (Diversa Project), creator of the channel "Afrobetizando" (YouTube) and social media of Projeto Bitonga Travel, a collective of black women travelers. Racism. Either you fight, or you take part. Which of the two are you?

Canal Preto 00:08:37

EP18 - Black Entrepreneurship and New Economies for the Aesthetic Revolution

Black Entrepreneurship and New Economies for the Aesthetic Revolution

According to data from the Brazilian Micro and Small Business Support Service (Sebrae), in Brazil, black people represent the majority in the entrepreneurial sector. Between 2002 and 2012, 50% of micro and small entrepreneurs declared themselves to be black or brown, while 49% declared themselves to be white. It is the first time that the number of Afro-descendant entrepreneurs has surpassed that of whites. Employing in less profitable sectors, such as agriculture, street vendors and hairdressers, black men and women accumulate lower income than non-black businessmen and women. The income of the white business community, which dominates the sector of machinery and health services, for example, is 112% higher than that of their black counterparts. The former minister of the Secretariat for the Promotion of Racial Equality (SEPPIR), Matilde Ribeiro, who exercised her mandate during one of the two administrations of former president Luís Inácio Lula da Silva, says that "the indicators of the labor market reveal that entrepreneurship for the black population, it arises and is maintained from everyday needs, in view of the institutional racism very present in the world of work", he concludes. Also according to the data, 41% of black and brown people who engage in entrepreneurial activity are in the Northeast, a region where black entrepreneurship predominates. The president of Sebrae, Luiz Barreto, states that the advancement of black men and women as entrepreneurs indicates that the social policies carried out for this group have proved to be effective, also punctuating the creation of the legal figure of the Individual Microentrepreneur (MEI) as an important factor. to the current reality of black entrepreneurs in the country. Our guest Amanda Coelho, better known as Diva Green, black woman, mother, hair artist, braider, wigmaker and mayakeira, says: "I create my company, which also comes to overflow my experiences". Carolina Pinto, lawyer, businesswoman, legal manager at a technology company and founder of RAS – the first luxury salon specializing in braids in Brazil –, talks about the digital field, the financial market and Black Money (or black money, produced and circulated by , for and among black people). Our guest Taynara Alves, graduated in Business and Innovation Management and partner at RAS – the first luxury salon specialized in braids in Brazil – talks about ancestral memories, black entrepreneurship and impact business. Research sources: Sebrae, Primeiras Negros, Mundo Negro, Claudia, BagyBlog, Whow. ACKNOWLEDGMENTS: Canal Preto would like to thank our guests for their participation. Canal Preto would like to thank our guests. Amanda Coelho (Diva Green) - Black woman, mother, hair artist, braider, wigmaker and mayakeira. Carolina Pinto - Lawyer, businesswoman, legal manager in a technology company and founder of RAS, the first luxury salon specialized in braids in Brazil. Taynara Alves - Graduated in Business and Innovation Management and partner of RAS, the first luxury salon specialized in braids in Brazil. Racism. Either you fight, or you take part. Which of the two are you?

Canal Preto 00:08:40

EP17 - black maternity hospitals

black maternity hospitals

In the historical-theoretical productions of white western feminisms, motherhood was, in general, conceptualized as an obstacle to women's participation in political struggles for equity, access to better job opportunities and to their own personal fulfillment. Likewise, in other theoretical perspectives, motherhood has already been attributed the condition of a patriarchy tool in the social control of the bodies of women and people with uterus, sexually and reproductively fundamental to the replication of the workforce and its over-exploitation by capital. However, this universalizing perspective of what it means to be a woman, to be able to gestate or to mother is no longer acceptable, due to other epistemological points of view and equally historical, multifaceted contributions of black, indigenous and decolonial feminisms, for example, to the Brazilian diasporas. . Thus, the problems experienced by women, people with a uterus, pregnant women or identified in this way can no longer be analyzed from the hegemonic conceptions of feminisms or other libertarian theories about womanhood and motherhood. Motherhood, or mothering, can be a source of redemption, potency and affection, but also of oppression, especially because of the side effects of the precariousness of living conditions that affect women and people who give birth to black Brazilian women. Research sources: Cria para o Mundo, O mundo autista, Geledés, Revistas USP. ACKNOWLEDGMENTS: Canal Preto would like to thank our guests for their participation. Luciana Viegas - Autistic activist. Black woman. Teacher. TEDx Speaker. Columnist Autism Magazine. Founder of the Black Lives with Disabilities Matter Movement (VNDI). Thainá Briggs - Social worker graduated from UFF (focus on peripheral youth), business manager (MBA - Universidade Estácio de Sá), writer, poet and coordinator of the award-winning book "Mães pretos. Maternity solo e dororidade". Sarah Carolina - Digital content creator, mother of three black children, pedagogue and educator (black motherhood and real positive parenting), historian and parenting researcher. Marcele Oliver - Activist, producer, writer, trance singer and social entrepreneur. Editorial coordinator of the work "It had to be black" (Editora Conquista, 2022). Mother, wife and shelter of Fayzah Badu. Pollyne Avelino - Producer and entrepreneur. Founder of Mothers of Wakanda. Mother of Malik Abayomi. Racism. Either you fight, or you take part. Which of the two are you?

Canal Preto 00:08:29

EP16 - Diasporic Traumas and Mental Health - Black Psychology, Historical and Transgenerational Trauma

Diasporic Traumas and Mental Health - Black Psychology, Historical and Transgenerational Trauma

By limiting itself to white and European concepts of mental health and psychological suffering, Brazilian psychology fails to contemplate and adequately treat 56% of the country's population, composed of black men and women (IBGE). Black subjectivity is ignored in the vast majority of Psychology graduations, and one of the direct effects of this are black patients who are victims of racism by the professionals who should welcome them, misunderstood in their questions, not heard and heard as belonging to a people for more than 300 years enslaved and freed for only 134 years. Several black intellectuals dedicated themselves to the production of knowledge about the effects of racism on black subjectivities. In the 1940s, the psychoanalyst Virgínia Leone Bicudo (1910-2003) carried out extensive research with socially ascended blacks in São Paulo, which resulted in her master's thesis entitled "Racial attitudes of blacks and mulattos in São Paulo". Paul" (1945). The Martinican psychiatrist Frantz O. Fanon (1925-1961) wrote, in his clinical and academic work, the book "Black skin, white masks" ("Peau noire, masques blancs", 1952), originally his rejected doctoral thesis, now reference in studies on mental health of the black population. In the 1960s/1970s, in the work of black psychologists such as Dr. Wade Nobles (Ifagbemi Sangodare, Nana Kwaku Berko I) and Na'im Akbar (born Luther Benjamin Weems Jr., 1944), Black Psychology appears in the United States, which is the construction of theories and practices in clinical psychology in the light of black subjectivities and African ancestry. In the 1980s, the Brazilian psychologist and psychoanalyst Neusa Santos Souza (1948-2008) wrote the book "Tornar-se negro, ou as vicissitudes da identità do negro Brasileiro em ascension social" (1983), in which she reinterpreted fundamental concepts of psychoanalysis from the black experience. There is no space here for a survey of all publications on black mental health throughout history; we chose these because they are publications by pioneering authors on the subject. Our guest Andressa Cardoso, psychologist (CRP 21/04104) graduated from Centro Universitário Santo Agostinho (UNIFSA-PI) who follows the cognitive-behavioral approach (CBT), with care focused on anxiety, grief, the black population, self-esteem and self-knowledge, talks about strengthening health networks, prioritizing ethnic-racial inequalities. Shenia Karlsson, clinical psychologist (effective member of the Ordem de Psicólogos de Portugal - OPP), Master in African Studies from the Higher Institute of Political and Social Sciences (ISCSP, University of Lisbon), columnist Revista Gerador, Director of the Instituto da Mulher Negra de Portugal and co-founder of Papo preta: Saúde e Bem-Estar da Mulher Negra, states: "The concept of diasporic trauma is a collective experience resulting from discontinuities, deterritorialization, migratory movements, historical processes, interruptions and distortions that generated a series of traumas in the black community". Our guest Joice Modesto, a psychologist with a niche in mental health for the black population and ethnic-racial relations, talks about historical, transgenerational trauma and the trauma that remains ongoing. Ariane Kwanza Tena, Bachelor in Psychology from UFMT, Master in Education (UFMT/UFRRJ), with research in Black Psychology, talks about the phenomenon of modern psychology emerging from Western ideas and approaches, citing Abdias Nascimento (1914-2011) and bell hooks (born Gloria Jean Watkins, 1952-2021). Research sources: Afrofuturo, Amazon and "Vindo de amor" (hooks, 1994). Canal Preto would like to thank our guests for participating. Andressa Cardoso - Psychologist (CRP 21/04104) graduated from Centro Universitário Santo Agostinho (UNIFSA-PI) following the cognitive-behavioral approach (CBT), with care directed to anxiety, grief, black population, self-esteem and self-knowledge. Shenia Karlsson - Clinical psychologist (effective member of the Portuguese Psychologists Order - OPP). Master in African Studies from the Higher Institute of Political and Social Sciences (ISCSP, University of Lisbon). Columnist Magazine Generator. Director of the Instituto da Mulher Negra de Portugal. Co-founder of Papo preta: health and well-being of black women. Joice Modesto - Psychologist with a niche in mental health of the black population and ethnic-racial relations. Ariane Kwanza Tena - Bachelor in Psychology from UFMT. Master in Education (UFMT/UFRRJ), with research in Black Psychology. Specialist in Psychonutrition (Unyleya) working in the area of ??training, research and clinic in the perspective of Black Psychology. Racism. Either you fight, or you take part. Which of the two are you?

Canal Preto 00:08:37

EP15 - Black Love as a Resistance Strategy

Black Love as a Resistance Strategy

The intellectual and writer bell hooks (born Gloria Jean Watkins, 1952-2021) has extensive theoretical production on love as a fundamental element in the political dispute and survival (physical-spiritual, psychic, material, subjective and emotional) of the black community in diaspora. This concept is broad and advances non-romantic affective relationships, encompassing familial-parental relationships, friendships and/or relationships held in any social circles - although romantic affection (between couples or any other similar formations) also receives in-depth treatment. In many of her elaborations, hooks argues, in different ways, that the black population needs to fight "the lack of love" ("Vivindo de amor", 1994). Affective relationships play an important role in overcoming the violence imposed by racist societies. "Many black people, and especially black women, have become accustomed to being unloved and shielding themselves from the pain it causes, acting as if only white people or other gullibles expect love," the author wrote in 'Living on Love' (1994). hooks ends the text, stating that "when we know love, when we love, it is possible to see the past with different eyes; it is possible to transform the present and dream of the future. This is the power of love. Love heals". For Roger Cipó, photographer, Ogan and black critical influencer, "any action of black love is an act of healing, protection and care". Our guest Renato Nogueira, writer, professor of Philosophy at the Department of Education and Society (UFRRJ) and essayist, talks about love as a power of restoration. Tati Brandão, speaker, mentor and teacher of Inclusive Leadership, with a focus on affectivity and listening (learning to listen in a deep and empathic way), says: "Today, talking about love, living in love, overflowing affection, exercising affection are acts of courage". Our guest Adalberto Neto, journalist, playwright and influencer, winner of the Shell, Ubuntu and Popular Recognition Awards for the play "Oboró - Black Masculinidades", says: "Black love heals, because this exchange of affection between people like us only feeds our self esteem". Research sources: Mundo Negro, UOL, Geledés, Carol Society. Canal Preto would like to thank our guests and guest. Renato Nogueira - Writer, professor of Philosophy at the Department of Education and Society (UFRRJ) and essayist. Tati Brandão - Speaker, mentor and teacher of Inclusive Leadership, focusing on affectivity and listening (learning to listen in a deep and empathic way). Adalberto Neto - Journalist, playwright and influencer. Winner of the Shell, Ubuntu and Popular Recognition Awards for the play "Oboró - Masculinidades negras". Racism. Either you fight, or you take part. Which of the two are you?

Canal Preto 00:08:10

EP14 - School Dropout - A Risk to the Black Population

Canal Preto 00:07:59

EP13 - From the Acarajé Tabuleiros: Afro-Brazilian Cuisine

Canal Preto 00:08:44

EP12 - Black Women and Girls in TECH

Canal Preto 00:08:44

EP11 - Writings - On Black Female Representation in Literature

Canal Preto 00:08:46

EP10 - Dona Ivone Lara - 100 Years

Canal Preto 00:07:09

EP9 - The Future of Quotas in Universities

Canal Preto 00:07:09

EP8 - Negritudes, Colorism and Racial Realities in Brazilian style

Canal Preto 00:06:35

EP7 - Salvador, diasporic city

Canal Preto 00:06:54

EP6 - Afrocentered Children's and Youth Literature, Black Representation and Representativeness

Canal Preto 00:04:25

EP5 - Black modernism in the arts

Canal Preto 00:05:07

EP4 - Black March: Marielle Franco, Carolina Maria de Jesus and Abdias Nascimento

Canal Preto 00:05:18

EP3 - The black female revolution for affectivities

Canal Preto 00:09:04

EP2 - Carnival, Culture and Resistance

Canal Preto 05:28

EP1 - Black Immigrants and Refugees in Brazil

Black Marches 02:43

EP9 - Marielle Present! - Fight and Mourning Act.

Ori Festival 07:20

EP10 - Marielle Lives Manifest

Cobertura Cultne 00:05:37

EP9 - Inauguration of the Statue of Marielle Franco

Cultne cinema 01:01

EP15 - "Marielle Present - I am because we are" - TEASER

Cultne cinema 16:44

Movie - Eviction Room - Carolina Maria de Jesus - Ruth de Souza

Cultne cinema 08:46

Movie - Marielle Franco Presente - I am because we are

Cultne Quarantine 06:26

EP4 - Cyda Moreno - Stay at Home Project